This is an aside titled 'Ballard, Delaney, and PKD-influenced Art at NYC The Kitchen' dated 7/8/08

“The Future as Disruption” at The Kitchen in NYC sounds incredible! From Rhizome: “Sean Dack’s Future Songs, a book of musical arrangements for predictions penned by Dick in 1981 (one: “The Soviet Union will test a propulsion drive that moves a starship at the velocity of light; a pilot ship will set out for Proxima Centaurus soon to [be] followed by an American ship.”), Adam Pendleton’s flat duochrome paintings reproducing excerpts from Delaney’s 1975 novel Dhalgren… Mungo Thomson self-explanatory audio work “Bloody Hell: An Oral History of the Making of Blade Runner,” by Dave Gardetta, Los Angeles Magazine, February 2007, Read by a Cast of Computer Voices, and, most startlingly, Julieta Aranda’s A Machine of Perpetual Possibility, a Perspex cube containing the dust of pulverized science fiction novels, occasionally whirled by spurts of an air jet. Aranda’s accompanying photographs of book-dust resemble alien environments.” Also in the exhibit: Ann Lislegaard’s “Ballard-inspired digital photomontages.” I’ve been looking over her website, it seems most of recent work is SF-influenced, referencing Ursula Le Guin, Delaney, and 2001: A Space Odyssey.

Posted by Joanne on Jul. 8, 2008 Tagged: , ,

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